"Ibanez Tube Screamer TS-9DX"
Power supply : 9V battery (S-006P) or AC adapter AC109, AC309, AC509 Power
requirement : DC9V 8mA Size : 124(D)×74(W)×53(H) mm Weight : 570g
The Ibanez TS9DX Turbo Tube Screamer Effects Pedal features the slightly
warmer JRC4558D IC found in most of the old TS808 Tube Screamers and also offers
3 new settings for increased low end crunch: +, Hot, and Turbo.
Ibanez TS9DX Turbo Tube Screamer Effects Pedal, 4 distinct preamp voicings!
The Ibanez TS9DX Turbo Tube Screamer Ef fects Pedal feat ures the slightly
warmer JRC4558D IC found in most of the old TS808 Tube
Screamers and also of fers 3 new sett ings f or increased low end crunch:+, Hot
, and Turbo.
Ibanez TS9DX
Summary |
Price New |
Ibanez TS9DX $109.00 (Street) |
Manufacturer URL |
http://www.ibanez.com/
|
Ease of Use |
9.2 (82 responses) |
Sound Quality |
8.3 (84 responses) |
Reliability |
9.2 (65 responses) |
Customer Support |
7.2 (9 responses) |
Overall Rating |
8.2 (79 responses) |
Product: Ibanez TS9DX
Price Paid:
UNKNOWN
Submitted 02/18/2009 at 12:24pm by Evil
Ease
of Use
: No Opinion
Very easy.
Sound
Quality
: 5
Not good. I too bought this pedal based on the reputation
of the "Tube Screamer" name and thought the DX would have a little more
flexability if I needed it.
I ran it through a ISP Decimator into a BBE
sonic stomp and into my amp: B52 AT100. My hope was that this would at the
slightest amount of dirt to my clean channel to make it sound more vintage and
enhance the overdrive channels to give more life to my crunch and
lead..basically an "on all the time" pedal that would increase the overall
signal received by the amp.
The result was not what I wanted. First of
all the pedal has a lot more break-up than I expected. I basically had to turn
down the gain knob to almost zero to get the kind of clean drive I wanted. The
other problem was that the pedal is not really transparent. It kind of muddies
up the sound unless the tone knob is wide open...like a tone knob on a guitar.
A few other things I didn't like were that the pedal's breakup was kind
of scratchy when I played hard. There may have been a defect in mine thought.
Also a very important point...Musician's Friend, where I bought it from
advertises this pedal as being built with the same chip that comes in the 808
model...the one that everyone mods the TS9 to have. This was a major reason I
had for buying it but it isn't true. I opened it up and saw the same chip that
the TS9's come with stock. Could be the reason for the crapy sound. Not too cool
of MF.
Reliability
: No Opinion
I've always heard these things are built like a tank. I
don't really see them being any more solid than any boss or digitech pedal out
there.
Customer
Support
: No Opinion
Overall
Rating
: 5
I tried mine out for a day and then sent it back to MF. I
was kind of disappointed because for the price I expected better. I used to have
a Digitech X Series Tonedriver pedal and a Line6 Crunchtone, both of which
sounded much better than the DX(especially the digitech).
I won't buy
the DX again. I have always been curious about the 808 reissue but I don't think
I'd ever pay that much for a simple overdrive pedal.
Product: Ibanez TS9DX
Price Paid: USD
109.99
Submitted 02/02/2009 at 04:18pm by Evil
Ease
of Use
: 10
Very easy to use but pretty over-rated IMHO.
I
bought mine online and it was advertised as having the JC4885DC chip that the
original 808 has. I always here that people have to get this in a mod for this
pedal so I thought maybe Ibanez decided to improve the design. Not the case.
This pedal was falsely advertised and comes with the chip that everyone gets
removed. I don't understand why a company would manufacture a product that most
people have to pay extra to modify.
Sound
Quality
: 3
I tried this on my 100 watt all tube head which I use in
my live set up. I play schecter 7 string guitars with seymour duncan
pickups(JB/'59) and not many effects; just a TC Electronic rack unit in my live
rig that I use mostly for reverb. I wanted this pedal to be an "on all the time"
unit so that I could have a hotter signal throught the front end of my amp for a
tiny bit of dirt in the clean channel and a slightly more reactive overdrive
channel.
The closest I could come to a usable sound was on the TS9
setting with the level at about 9 o' clock, the gain at just about one notch
from zero and the tone cranked all the way open(Interesting note: the tone knob
on this thing isn't like those on other distortion pedals I've used. It acts
like a passive tone pot on a guitar: bypassed when fully open and can only cut
frequencies when turned down. It isn't like an active tone circuit that boosts
when you turn it one way and cut when you turn the other way).
Anyway, on
the clean channel of my tube amp, I got an increase of volume but with a
scratchy, crackeling sort of break-up that was totally unpleasant and just
sounded like the pedal was clipping because it couldn't handle the signal.
It just made my overdrive channel sound fuzzy and less articulate though it
did increase my sustain by a good amount.
Another point: the other three
mode settings; Hot, + and Turbo, while they do change the voicings and increase
saturation and low end, also decrease the volume on each setting. The TS9 mode
is at least twice as loud as Turbo on the same level setting. This seems very
counter-intuitive to me and was very unexpected.
Reliability
: 5
It doesn't seem as solid as other people have said. I'd
trust a boss or digitech pedal over this any day.
Customer
Support
: No Opinion
Overall
Rating
: 4
I play progressive metal and I've been playing guitar for
almost 15 years. And of course, since we guitarists are especially suseptable to
G.A.S. I've played through many, many distortion and overdrive pedals. This one
has been the most disappointing one in a long time. It is possible that this
unit was defective but that just makes me all the more disappointed in Ibanez
for neglecting quality control on a line of products that is supposed to be a
modern musician's standard go to pedal. For my purposes I could probably get a
better result from a compressor or a simple boost pedal. But for classic
overdrive sounds, I can think of at least half a dozen other pedals that sound
better than this and cost half as much. Try before you buy.
Product: Ibanez TS9DX
Price Paid: GBP 90
Submitted 10/31/2008 at 06:59am by mmca
Ease
of Use
: 1
Can't get a useable sound.
Sound
Quality
: 1
Ropey.
Reliability
: No Opinion
Don't know.
Customer
Support
: No Opinion
N/A
Overall
Rating
: 1
I bought this unheard on the strength of its reputation.
Judging by the other reviews here, maybe there's something wrong with mine but
it was a complete and utter waste of money. I play a PRS RG4 through a Blackstar
A30 (a really good valve amp) and a blackstar HT boost pedal (also really good).
I wanted to add something to get a 'singing' solo sound for home practice or
recording at low volumes, nothing too fancy, just a useable lead sound. Forget
it. All it did was add some toneless fizz with no body or anything. ??90 down
the drain.
Product: Ibanez TS9DX
Price Paid: USD
125
Submitted 09/28/2008 at 08:06pm by Matt Clark
Email: Mclark36 at ec<dot>rr<dot>com
Ease
of Use
: 7
If you bought one of these, you know what you are
seeking. I thought it would more of a distortion pedal but it is more subtile
and you have to develope an ear for it. As an antagonist for a tube amp-- it is
standard equipment. Some experimentation with the modes is in order to find the
shape you want. it is not difficult.
Sound
Quality
: 9
ts-9- classic, creamy chock full of mid range. The
closest to a tube amp you can get in a box under $200. the "hot" and "+" are not
useful to me as far as I can tell. The "turbo" setting is awesome especially if
you use a guitar with humbuckers- it has great bass responce and a real
compressed mid range growl that is just slightly evil! With my strat it is just
kinda of bassy but not bad. If you use another distortion pedal, put this in
before it in your chain. If it is after your dist, it will get a real nasty
spitting grunge that is really cool if you want to use that effect ( think a
really overdriven tube amp about to crapout its speakers)! I use this through a
Randall SS and Fender Frontman 15R. I have a Peavey 212 Classic in the shop and
I would love to see what this will sound like with that!
Reliability
: 10
tank...I have been using Ibanez since 1982 and they all
are still working fine!
Customer
Support
: No Opinion
none
Overall
Rating
: 10
you have to have a ts-9, why not have one with extras? It
has lots of output so keep your level down. The Turbo and + modes have increased
levels so watch that too. I have been using it with a Randall SS amp and I get a
great tube thang when I need it. The Randall has enormous gain and I am a gain
junky but a Strat through a Randall to get a bluesy sound is difficult s the
single coils just shout, " hey...this is solid state!!!!!!!!!!" Jimi would kill
you!!!. Enter the TS-9 DX with the extra gain available! I play in a blues
outfit also and this is great through a Fender Frontman 15R coupeled with a
Danelectro FAB distortion. With a strat, it is priceless- perceptibale
distortion with not alot of color taken out of your tone. With a humbucker (
mine an Electra Phoenix or Dean ZX) a great growly compressed distordion very
unique sounding. GET ONE!
Product: Ibanez TS9DX
Price Paid: USD
109
Submitted 07/11/2008 at 02:05pm by strugglebuggy
Email: strugglebuggy<at>mybackseat dot org
Ease
of Use
: 10
Easy to use. Only 4 Knobs. They are all clearly marked
and self explanatory.
Sound
Quality
: 9
On the origional TS9 setting it sounds great no matter
how it is set. I use it with a Tele through a class A Fender tube amp. I couldnt
imagine a better set up. Crisp, crunchy and clear. Think SRV tone (now all I
need is to learn to play like him- wish me luck!). The turbo and deluxe settings
seem worthless to me, with these settings the distortion decreases, while volume
and bass are added progressively. Each setting just gets louder, flabbier and
boomier. Im glad I got the DX to stisfy curiosity, but would have done just fine
with the standard TS9.
Reliability
: 2
I had it for 6 months, and the on/off switch crapped out
on me-doesnt work at all. I never even stomped on it with a shoe. I play bare
foot, and am very gentle, it looks brand new. Thats faulty maunufacturing, and
Ibanez says I have to pay for shipping to get it repaired. What a crock. If it
didnt sound so damn good I would choke it up as a loss.
Customer
Support
: 2
I had it for 6 months, it craps out and I have to pay for
shipping. Thats one crappy warantee.
Overall
Rating
: 6
Ive been playing 15 years. Mostly bules, reggae and alt
rock. It sounds great, though the deluxe settings arent useful to me. I wish the
quality control and warantee was beter.
Product: Ibanez TS9DX
Price Paid: USD
109
Submitted 09/06/2007 at 12:52pm by PLMD
Ease
of Use
: No Opinion
Very easy to get the right sound out of it
Sound
Quality
: 9
I play a Jeff Beck strat into an AC-30 Vox - great blues
and rock tones but i needed it to kickit up when soloing or for playing harder
rock.
This does the trick!
It makes my strat CRUNCH and ROAR and SING.
Great for solo boosts. Hard to believe its a strat at those times.
The
Turbo mode is my favorite and packs the fullest and tightest tone.
Definitely mid-dominated but that is what the strat lacks.
I have
noiseless pickups so it is silent.
I use a BigMuff Pi for fuzz and cream and
use this for crunch and concrete.
It's a cross between overdrive and subtle
distortion.
Reliability
: No Opinion
Seems solid.
Customer
Support
: No Opinion
No need.
Overall
Rating
: 9
Great for blues and rock.
Better than Marshall
Guv'na.
Would definitely replace it if stolen.
Great buy.
Product: Ibanez TS9DX
Price Paid:
UNKNOWN
Submitted 06/16/2007 at 07:18pm by Dinesh
Email: dyogaratnam<at>yahoo dot com
Ease
of Use
: 8
Simple to use. Changing modes on the fly takes practice,
as the output volume gets significantly louder as you go from "TS-9" to "Turbo."
Once you get familiar with the settings, this ceases to be a problem. If you're
using a pedal chain, I recommend placing this pedal after your other
distortion/overdrive units (i.e., closer to amp).
Sound
Quality
: 9
I play a gibson les paul studio (1994) through a fender
twin reverb (blackface reissue). Pathway is guitar > Teese RMC-3 Wah >
ts9dx > EH Metal Muff > MB V-Twin > Dunlop Univibe > EB Volume pedal
> amp. With this particular setup, I am primarily using the "Turbo" setting
with 1/4 gain and 3/4 tone. This serves as an excellent boost. I am able to add
volume, bass, and a slight bit of overdrive to Clean, V-twin, or Metal Muff
driven signal. I find it a lot more satisfying, tonally, than simply using the
volume pedal. It really adds balls to your sound. With my pickup selector in the
treble (bridge) position, and a little more gain, I am able to get a passable
AC/DC tone with the clean signal at garage-band volume. This is not a Marshall
Plexi substitute, but it makes for a fun and useable imitation (again, in a
garage band) for a lot less money. I did get the Analog Man "808" mod about 5
years ago, and it made the tone slightly warmer and less bright. I like what the
mod did for my sound, but I don't think it's a must-have feature. Comparing
pedal to pedal, for a bluesy-overdriven/crunch sound, I prefer my V-twin. That
being said, I would feel crippled if I didn't have my TS-9dx to beef up the
V-twin. It also changes the character of the Metal Muff from a heavy metal
distortion to a dark/grungy heavy overdrive without muddying up the tone much.
Again, this is not a replacement for a high-gain diezel or mesa boogie amp, but
I think it gets the job done for the semi-serious musician hobbyist on a budget.
Reliability
: 10
I have owned this pedal for roughly 8 years, and I have
not had any problems with it. I bought it used, and it works as well today as it
did the day I bought it. Its very sturdy.
Customer
Support
: No Opinion
I have never had to deal with Ibanez customer service.
Overall
Rating
: 8
I have been playing for about 12 years, and I have owned
this pedal for quite a long time. I posted a review 7 years ago on this very
same pedal (dinesh, 1/29/2000), and I am just as impressed today as I was back
then with the tonal qualities of this pedal. My gear has changed slightly over
the years, but I'm more or less using the same style setup. My ratings and
opinions are based upon using this kind of setup (les paul through a fender
tube-amp plus "boutique" overdrive pedals). I'm currently playing in a
garage-band that plays everything from Santana to The Ramones to Tool to
Smashing Pumpkins to Grateful Dead. I use this pedal during most songs,
especially when I need to cut through with a solo. I would certainly buy another
if lost or stolen. Highly recommended.
Product: Ibanez TS9DX
Price Paid: USD
120
Submitted 04/16/2007 at 03:42pm by Dave Wiese
Email: Dave at guitar-dne<dot>com
Ease
of Use
: 10
4 knobs; level, drive, tone, a 4 position mode switch. A
hair more difficult than a standard TS-9, but it's quite easy to operate.
Sound
Quality
: No Opinion
On the TS-9 setting, it sounds like a TS-9 reissue. As
you notch it to turbo, you get subtle drive intreases without straying away form
the original character. TS-9's generally add light overdrive (not highgain
distortion), or it can boost other drive units/amps. The TS-9DX doesn't get too
fuzzy, or harsh, and I've run this with another TS-9 to do a 2 stage overdrive
and it worked great. I already had the TS-9 Reissue and was looking for the same
sound with a little more boost, and the DX delivers.
Reliability
: 8
The casing (i believe designed by Maxon) is solid, but I
managed to break a shaft on the level pot, making it a handy on/off kill switch.
I was able to replace it with a standard pot. otherwise, no problems.
Customer
Support
: No Opinion
Overall
Rating
: No Opinion
Follows the TS-9 vibe quite well. The price is right, and
it can be modded to a TS 808 type sound (which would be interesting to hear a TS
808 with the 4 modes). Even with the boosting, I still use it as an overdrive,
for highgain distortion I use a Marshall Gon'Nor II pedal.
Product: Ibanez TS9DX
Price Paid:
UNKNOWN
Submitted 03/22/2007 at 10:21pm by Bruce Layton
Ease
of Use
: 10
Very easy to use. The "Drive" control is like a
distortion pot adjusting the overdrive, then there's a switch with four settings
as already described, along with a gain pot and a tone pot, and the foot stomp
button indicated by a LED. This is not an all-out distortion or fuzz pedal and
the settings are subtle yet distinct levls of overdrive.
Sound
Quality
: 9
Exceptional tone and very quiet with my rig. I use this
in a bedroom set-up with a Warmoth tele I built with Bill Lawrence pickups and
Bill's five-way switch. The guitar goes into an old Ampex 6V6 push-pull tube
amplifier I turned into a head after a complete rebuild job with fancy film and
foil caps and a new power supply, along with a speaker cabinet I built with a
16-Ohm Eminence 12" speaker (their clone of the Celestion Vintage 30). This
setup was very clean but needed some more gain to drive it, and after some
research I guessed that the TS9DX had a little more range than the other Tube
Screamers. I guessed right and am very happy with its versatility: between the
guitar's five settings and the Ibanez' four, I get a variety of tones from
Esquire-like high-end sparkle to near-marshall stack roar. And no noise at all.
None. Zip Nada.
Reliability
: No Opinion
Don't know yet, but it looks to be very well built. I use
it in my bedroom every night without a backup.
Customer
Support
: No Opinion
Dunno yet.
Overall
Rating
: No Opinion
I play my own music which ranges from blues to country to
alternative. I find this to be a perfect fit.
Product: Ibanez TS9DX
Price Paid: USD 89
USED
Submitted 03/04/2007 at 05:11pm by James
Ease
of Use
: 9
4 knobs, all basic functions; Drive, Level, MODE, and
Tone. The Main difference between this tube screamer and the TS9 is the addition
of the MODE knob. You can choose between 4 different Modes; TS9, TS9+, Hot,
Turbo.
Sound
Quality
: 8
I use this pedal with my Peavey 5150 II Head and Randall
2x12-1x15 cabinet and a Jackson King V USA with Seymour-Duncan JB pickups. The
5150 sounds good on it's own, but lacks the midrange and sustain needed to get a
really brutal death/black metal tone. That's where the tube screamer comes in
handy. I front end the pedal (Guitar>Cable>PEDAL>Amp) and use it as
sort of a Compressor/EQ. In the TS9 mode I jack the Level up to about 8 and the
Tone to 7 and just a bit of drive(3)to give it a little more gain. The pre-amp
(gain) is set to about 4 and a half on the 5150. I also have the bass set to 4
and the MID to about 2 and the High is up to 10. This set-up is relatively noise
free, I don't use a noise suppressor. Overall I really like the sound the pedal
gives me, more midrange and sustain. The tone is suited for Arch Enemy, Avulsed,
and Emperor inspired metal.
Reliability
: No Opinion
These pedals are known for being as tough as they come.
They feel heavier than other pedals their size and it seems to be made very
strong. The knobs are recessed far enough away from the footswitch so no worries
about accidentally messing up the settings with your dumb feet.
Customer
Support
: No Opinion
N/A
Overall
Rating
: 8
I listen to Black, Death, Progressive, and Thrash Metal.
I've been playing for about 9 years now. If it were lost or stolen I might get
another one. I love the boost in distortion it gives me. I think it could be a
little less harsh sounding but it still sounds great.
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Dave
Weiner |
Steve Vai |
CUST. RG7420 |
U.S.A. |
Dave
Uhrich |
|
CUST. RG550 |
U.S.A. |
Dave
Aguilera |
Bleed The Dream |
ARX Custom |
U.S.A. |
David
Fransson |
Divison of Laura Lee |
JTKII |
Sweden |
David
Manley |
Jill Scott, Philasophik and Alo Brasil |
AM73TBR |
U.S.A. |
David
Williams |
Michael Jackson |
CUST. SA160 |
U.S.A. |
David
Shoaf |
Killwhitneydead, The Demonstration |
S620EXQMTGB |
U.S.A. |
Dexter
Holland |
The Offspring |
CUST. RG570 |
U.S.A. |
Dino
Cazares |
Divine Heresy, Asesino |
CUST. RG7420 |
U.S.A. |
Doug
Doppler |
Doppler Inc. |
S7470 |
U.S.A. |
Dustie Waring |
Between The Buried And Me |
S1625 |
U.S.A. |
Dwight Sills |
|
AS200, S540 |
U.S.A. |
Ed
Faris |
Adema |
RG7 |
U.S.A. |
Edouard
Algaillon |
Star Academy |
SZ1220TKF |
France |
Elias
Viljanen |
Sonata Arctica |
CUST. UV |
Finland |
Eric
Krasno |
Soulive |
CUST. AS200 |
U.S.A. |
Eric
Sands |
|
RG |
U.S.A. |
Eugeny Levin |
Alisa |
|
Russia |
Everton Waldman |
R/T |
RG1527, RG2020X |
Brazil |
Eyal
Levi |
Daath |
SZ2020EX |
U.S.A. |
Fabi
Araval |
Konfesion |
RGA321F |
Chile |
Fabien
Galland |
Julie Zenatti |
AS 200, SZ520, AW 1500 |
France |
Fletcher Dragge |
Pennywise |
CUST. RG420 |
U.S.A. |
Frank
Tijdink |
|
RG550EXGK |
Netherlands |
Fredrik Thordendal |
Meshuggah |
CUST. RG7620 |
Sweden |
Gabriel
Hidalgo |
Six Magics |
RG1550GX |
Chile |
Gary
Lenaire |
|
SZ720 |
U.S.A. |
Gav
King |
Fields of the Nephilim |
RGT42, Artcore |
U.K. |
George
Benson |
|
GB200, GB10 |
U.S.A. |
Georges
Floride |
Jadallys |
RG2077XLRB, RG1527BP |
France |
Gisle
Torvik |
Independent |
AS103, AF125 |
Norway |
Gizz
Butt |
The More I See |
AX7221 |
U.K. |
Herman Li |
Dragonforce |
EGEN18 TVF |
U.K. |
Hikaru Yoshida |
ex. derZibet, PUGS |
Talman |
Japan |
Hironobu Saito |
|
AR |
Japan |
Honza
Kirk Behunek |
Solo Artist, SEVEN |
RG15 |
Czech |
I Wayan
Balawan |
|
SA420 |
Indonesia |
Igor
Lapuhin |
Nogu Svelo |
SZ1220, SZ520, SA1260 |
Russia |
Igor
Romanov |
Alisa |
J-Custom RG, RGA |
Russia |
Jackson
Benge |
(hed) planet earth |
RG1527 |
U.S.A. |
Jaime
Teissere |
Droid |
|
U.S.A. |
Jake
Scott |
Salt the Wound |
RG7321 |
U.S.A. |
James
Love |
|
RG |
U.S.A. |
James
McIlroy |
|
RGT2020, RG1570 |
U.S.A. |
Jani
Liimatainen |
|
CUST. DT200, RG |
Finland |
Jari
Mäenpää |
Wintersun |
|
Finland |
Jason
Hannon |
Gizmachi |
RG1527 |
U.S.A. |
Javi
Valero |
O'Funk'illo |
RG |
Spain |
Javier
Bassino |
Farenheit |
RG3271-DBK (Left Handed) |
Chile |
JB
Brubaker |
August Burns Red |
RG1527 |
U.S.A. |
Jeremiah Scott |
Destroy Destroy Destroy |
XPT700 |
U.S.A. |
Jesse
Ketive |
Emmure |
RG7321 |
U.S.A. |
Ji
Yuan |
Aerial Carnival |
J Custom |
China |
Jim
Davies |
Hyper , Victory Pill |
SZ |
U.K. |
Jimmy
Jansson |
|
AX,SA |
Sweden |
Joe
Satriani |
|
JS1000 |
U.S.A. |
Joel
Haines |
independent |
GB, JS Custom |
New Zealand |
John
Scofield |
|
JSM100 |
U.S.A. |
John
Lamacchia |
Spylacopa, Candiria |
AXS32TKF |
U.S.A. |
Jon
Kita |
Diecast |
S470, S7420 |
U.S.A. |
Jon
Greasley |
Vega |
RG7620 |
U.S.A. |
Jon
Finn |
Jon Finn Group |
CUST. SC420 |
U.S.A. |
Jonas
Jarlsby |
Avatar |
RG2610E-BK, SZ720FM-TG |
Sweden |
Juan
Juarez |
Bonded By Blood |
RG2550 |
U.S.A. |
Juan
Carlos Jimenez Gomez |
MALÚ |
SA-AE-Artcore |
Spain |
Juan
Carlos Martin Lopez |
Mago de Oz |
RG |
Spain |
Juan
Pablo Lobos |
|
RGT220H-SOL |
Venezuela |
Justin Shekoski |
Saosin |
RG550 |
U.S.A. |
Kamal
Musallam |
Kamal Musallam Group |
AF105 |
UAE |
Kasperi Heikkinen |
Amberian Dawn / Iconofear |
RG |
Finland |
Keith
Aazami |
Bad Acid Trip |
AR250 |
U.S.A. |
Ken
Susi |
Unearth |
CUST. S7620 |
U.S.A. |
Kevin
Palmer |
Amity Lane |
CUST. SA160 |
U.S.A. |
King
Shah |
Metalasia |
RG |
Malaysia |
Kirk
Kolaitis |
Diecast |
RG520 |
U.S.A. |
Kit
Wray |
Into the Moat |
RGT220 |
U.S.A. |
Koji
Tsumoto |
|
S |
Japan |
Kristian Niemann |
Therion, Demonoid |
RG |
Sweden |
Kristian Hermansson |
|
Custom RG470L |
Sweden |
Krzysztof Misiak |
Chylinska |
RG1527, S1625-TKS |
Poland |
Lance
Arny |
Flaw |
RG1077XL |
U.S.A. |
Larry
Mitchell |
|
SZ520, SZ720 |
U.S.A. |
Layne
Meylain |
Tony Danza Tapdance Extravaganza |
S7320 |
U.S.A. |
Lee
Malia |
Bring Me The Horizon |
RG |
U.K. |
Lolo
Alvarez |
Victimas del Mainstream |
AR-SA-AEL |
Spain |
Luke
Hoskin |
Protest the Hero |
S470 |
U.S.A. |
Maew
Jirasak Panpum |
Mad Catz |
S2120X |
Thailand |
Magnus Olsson |
|
RG3120-VV(live), RG3120-TW(stu |
Sweden |
Manu
Livertout |
Scarve |
RG7 |
France |
Mark
Jansen |
Epica |
S7 |
Netherlands |
Mark
Gemini Thwaite |
The Mission, Tricky |
SZ720FM |
UK |
Martin
Hagstrom |
Meshuggah |
CUST. RG7420 |
Sweden |
Marty
Friedman |
|
SZ |
U.S.A. |
Matt
Bachand |
Shadows Fall |
MBM |
U.S.A. |
Matt
Roberts |
3 Doors Down |
CUST. RG570 |
U.S.A. |
Matt
Good |
From First to Last |
IC400 |
U.S.A. |
Matt
Aub |
Timelord |
XPT700 |
U.S.A. |
Max
Flovik |
Lillasyster |
AXS, RG7321, EW20 |
Sweden |
Michael Keene |
The Faceless |
XPT700 |
U.S.A. |
Mick
Thomson |
Slipknot |
CUST. RG2020 |
U.S.A. |
Mikael Lagerblad |
One Man Army and the Undead Quartet |
S-series |
Sweden |
Mike
Lerner |
Behold...the Arctopus |
Custom RG550 |
U.S.A. |
Mike
Shinoda |
Linkin Park |
RG321 |
U.S.A. |
Mike
Laurino |
Gizmachi |
RG1527 |
U.S.A. |
Mike
Dewolf |
Taproot |
CUST. AX120 |
U.S.A. |
Minoru Kojima |
|
RG7, AX |
Japan |
Mordy
Ferber |
|
S540 |
U.S.A. |
Muhammed Suicmez |
Necrophagist |
XPT |
Germany |
Nick
Hipa |
As I Lay Dying |
ART |
U.S.A. |
Noah
Carpenter |
Skinless |
XPT700 |
U.S.A. |
Norathep Maesaeng |
Cresendo, T-Bone |
AF105 |
Thailand |
Norman
Brown |
|
CUST. AF120, GB10 |
U.S.A. |
Oli
Herbert |
All That Remains |
S1625 |
U.S.A. |
Omar
Rodriguez-Lopez |
The Mars Volta |
AX120 |
U.S.A. |
Pablo
Stipicic |
Blackout |
RGA121 |
Chile |
Pancho Rojas |
Dama Juana |
AR3000-VV |
Chile |
Parker Lauzon |
Evans Blue |
SZ |
Canada |
Pascal
Cheseaux |
P.M.T. - Pre Menstrual Tension |
SZ320-BK |
Switzerland |
Pat
Metheny |
|
PM120 |
U.S.A. |
Pat
Pattison |
Straight Line Stitch |
RGA121 |
U.S.A. |
Patrick Rondat |
Patrick Rondat, Elegy |
RG Prestige custom |
France |
Paul
Reid |
Independent, Beverley Knight, Liberty X, Billy
Crawford/ Ms Dynamite |
RGA |
UK |
Paul
Gilbert |
Racer X |
PGM301WH |
U.S.A. |
Paul
Raymond |
UFO |
Cust. IC400BK |
U.K. |
Paul
Hanson |
|
RG550 |
U.S.A. |
Paul
Waggoner |
Between The Buried And Me |
S1625TKS |
U.S.A. |
Pavel
Zeburuev |
|
S |
Russia |
Pekka
Kiviaho |
One Man Army and the Undead Quartet |
RG2620-CBK |
Sweden |
Pekka
Olkkonen |
Stam1na |
RG1527-RB |
Finland |
Per
Gade |
Billy Cobham/Airto Moreira |
AF105FNT |
Denmark |
Pete
Ricci |
Lo-Pro |
SZ520 |
U.S.A. |
Pete
Lesperance |
Harem Scarem, Fair Ground |
CUST. SZ520 |
Canada |
Philippe Robert |
Roch Voisine,Wazimba |
Talman series |
France |
Pop
Waravit |
Rancorous |
RG2020 |
Thailand |
Ralf
Sommerfeld |
Summerfield |
US Custom |
Germany |
Ramon
Ortiz |
Ankla |
CUST. RG7420 |
U.S.A. |
Ravi
Bhadriraju |
Job For a Cowboy |
S2170 |
U.S.A. |
Ricky
Belloni |
New Trolls |
S1540FM-TTS |
Italy |
Rikk
Beatty |
Rikk Beatty Band |
RG3520 |
U.S.A. |
Rob
Balducci |
|
RG7420 |
U.S.A. |
Rob
Patterson |
Circus Diablo,Doctor Z |
CUST. IC300, RG1527 |
U.S.A. |
Rob
Johnson |
Magnitude 9 |
CUST. RG7420 |
U.S.A. |
Robbie
Furze |
PANIC DHH |
|
U.K. |
Roberto R. Rodrigo |
AIRLESS |
RG |
Spain |
Rocky
George |
Fishbone |
RG570 |
U.S.A. |
Roland
Gebhardt |
Ro Gebhardt`s Blow |
AM200AV |
Germany |
Rudi
Buttas |
Pur |
|
Germany |
Ryan
Hansen |
Light This City |
XPT |
U.S.A. |
Ryan
Knight |
Arsis |
RG550 |
U.S.A. |
Ryan
Gudmunds |
Carnifex |
S7320 |
U.S.A. |
Sam
Totman |
Dragonforce |
STM1 WH |
U.K. |
Sammy
Black |
LOVEX |
RG. TCY. JEM. UV |
Finland |
Sander Hoek |
Independent |
RGT220A-NTF, AW85ECE-RLG |
Netherlands |
Scott
Hull |
Pig Destroyer |
RG2228 |
U.S.A. |
Scott
Ueda |
Seven Stitches |
JKII |
U.S.A. |
Scott
Wilson |
Demiricous |
S470 |
U.S.A. |
Scott
Danough |
|
RGT220 |
U.S.A. |
Sean
Kipe |
Course of Nature |
ARX |
U.S.A. |
Sebastien Chaput |
Ion Dissonance |
RG1527 |
Canada |
Sergey Popov |
Aria |
J-Custom S9870, J-Custom RG180 |
Russia |
Seth
Thacker |
Straight Line Stitch |
RGA121 |
U.S.A. |
Simon
Andersson |
Avatar |
RG2610E-BK |
Sweden |
Steve
Brown |
Ignominious Incarceration |
S2170 |
U.K. |
Steve
Bello |
Steve Bello Band |
RG7 |
U.S.A. |
Steve
Vai |
|
JEM7VWH, JEM7VBK, UV777PBK,
JEM555BK |
U.S.A. |
Steve
Richards |
Taproot |
CUST. IBZ |
U.S.A. |
Steve
Miloszewski |
City Sleeps |
CUST. SA160 |
U.S.A. |
Steve
Holt |
36 Crazyfists |
SZ320 |
U.S.A. |
Tarver Marsh |
A Different Self |
SZ720 |
U.S.A. |
Teemu
Mantysaari |
Wintersun |
RG321F-SPB, RGA121-NTF |
Finland |
Terry
Balsamo |
Evanescence |
RG570 |
U.S.A. |
Thomas Muster |
Shakra |
SZ320-BK, SZ520QM-BBL |
Switzerland |
Tim
Roth |
Into Eternity |
S470 |
Canada |
Todd
Deguchi |
|
AX220 |
U.S.A. |
Tom
Fischer |
Celtic Frost |
Iceman |
U.S.A. |
Tommy
Svela |
|
RGT42DX |
Norway |
Tony
Triano |
|
RGA |
Spain |
Tony G.
Hernando |
|
Guitars: RG,USA Custom |
Spain |
Tosin
Abasi |
|
RG1527 |
U.S.A. |
Trond
"Teeny" Holter |
Wig Wam |
RG1570MRB |
Norway |
Vince
Stropki |
Salt the Wound |
RG7321 |
U.S.A. |
Vlad
Tanaskovic |
Evans Blue |
AX |
Canada |
Vladimir Khoryjii |
|
|
Russia |
Way
Barrier |
Destroy Destroy Destroy |
XPT700 |
U.S.A. |
Yann
Armellino |
|
SZ 520 |
France |
Yannick Robert |
Yannick Robert |
S2020X, SC420fretless Y.Robert |
France |
Yasushi Muratori |
MURATORIX |
RG7 |
Japan |
Zlatko "Slädu" Perica |
Burn, DJ Bobo, Tangerine Dream |
RG-SWISS , RG2120X-TLB , UV777P-BK |
Switzerland |